Geoff Johns and Jeff Lemire Head to Vertigo

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Geoff Johns and Jeff Lemire are two of the most prolific creators in the comics industry right now. But though they're both heavily involved in shaping DC's New 52 universe (Johns with Justice League, Green Lantern, and Aquaman and Lemire with Justice League Dark, Animal Man, and Frankenstein), fans have yet to see the two creators work together on a series. That's set to change this October thanks to Vertigo's new anthology special, Ghosts. The issue will include a short story called "Ghost for Hire," written by Johns and illustrated by Lemire.

Ghosts is an oversized one-shot featuring a variety of both established creators and newcomers, with every story featuring a ghostly theme. Appropriately, the issue is scheduled to ship on October 31. On their Source Blog today, DC released a preview image from "Ghost for Hire."

"Ghost for Hire" by Geoff Johns & Jeff Lemire

Lemire commented on his partnership with Johns. "It was a real thrill for me to work with Geoff," he said. "I've written with him before, but to get to draw for him was really special. To be honest, I wasn't sure what kind of ghost story Geoff would deliver and I was pleasantly surprised with "Ghost For Hire." It's whimsical and fun and it has heart. When Geoff said he wanted to do a story like all the old Abbot and Costello movies he watched as a kid it really clicked for me!"

Continue below for more preview art from Ghosts.

"The Dead Boy Detectives in Run Ragged" by Tony Litt & Mark Buckingham

"Treasure Lost" by David Lapham & Paul Pope

"The Dark Lady" by Gilbert Hernandez

“The Night After I Took the Data Entry Job I Was Visited By My Own Ghost” by Al Ewing & Rufus Dayglo

Jesse is a writer for various IGN channels. Allow him to lend a machete to your intellectual thicket by following Jesse on Twitter, or on IGN.


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The Comics Run: September 24, 2012

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The Comics Run is now officially 100% text. Important note, though, that this will be the last one for a few weeks, as I'm heading on vacation and then to New York Comic-Con. So instead, look forward to other things in place of Comics Run. It'll be back the week of October 22.

If you want a comprehensive list of everything that’s coming out this week and not just my own picks for what’s hot, check out Diamond’s shipping list.

Aquaman #0 - $2.99

By Geoff Johns & Ivan Reis | DC

Even though zero month is sadly disrupting the flow of the awesome The Others stoy arc, exploring the origins of Arthur and his discovery of his ties to Atlantis is certainly intriguing. Perhaps the revelations held within this issue will actually help to add more context to the current storyline, given how integral to The Others the history of Atlantis has been.

Plus, more sharks in anything makes it a must-read in my book.

Justice League Dark #0 - $2.99

By Jeff Lemire & Lee Garbett | DC

We’ve gotten hints at some sort of past relationship between John Constantine and Zatanna throughout Justice League Dark, but this zero issue will finally put the TMZ rumors to rest and show what exactly happened between the pair of them. That’s a coupling that intrigues me even more so than Superman and Wonder Woman, so here’s hoping for some sweet magic-laced drama.

I guess an appearance by the Books of Magic would be cool too.

Captain Marvel #4 - $2.99

By Kelly Sue DeConnick & Dexter Soy | Marvel

The adventures of a time-traveling Carold Danvers continues this week as Kelly Sue DeConnick and Dexter Soy continue to show us just how rad this new iteration of the character is. There’s been a lot of feedback about how the new costume isn’t all that great-looking (it is) and how she shouldn’t have changed her superhero name (I’m glad she did), but none of that matters. What matters is that this series is firing on all cylinders out of the gate. You should get on board before this train passes you by.

The Punisher #16 - $2.99

By Greg Rucka & Marco Checchetto | Marvel

As bummed as I am for this iteration of The Punisher to be coming to an end, I can say that the events leading up to the concluding mini-series Punisher: War Zone have been nothing short of stellar. First we got to see Punisher (and his beard) thwip his way into hostile territory, and then, last issue, we were treated to some horrible events that unfolded as a result of Frank’s tunnel-vision.

As Rucka told us in an interview a while back, “Frank doesn’t want to live happily ever after.”

Happy #1 - $2.99

By Grant Morrison & Darick Robertson | Image

To be totally honest, it was only as I went to write this article that I actually looked to see what Happy was about. Just by nature of its creators – Grant Morrison and Darick Robertson – I was fine giving this book a blind buy, no questions asked. Turns out, the book is about a former cop turned hitman who, as these people are wont to do, is caught up in a job gone awry.

As if the creators weren’t enough, the story seems to be right up my alley as well. Talk about being happy.

Memorial HC - $24.99

By Chris Roberson & Rich Ellis | IDW Publishing

One of the more memorable creator-owned works to come from IDW Publishing this year, this unique spin on fairy tale myths is a dense but ultimately character-centric exploration of the fantasy genre. Collected in a lovely hardcover, this book should have fans of books like Fables drooling. Roberson builds a complex mythology here while artist Rich Ellis brings all of these crazy ideas to vibrant life with his lovely line work.

If you missed this one the first time around, be sure to snag it at your local comic shop this week.

Joey is IGN's Comics Editor and a comic book creator himself. Follow Joey on Twitter, or find him on IGN. He loves superhero pets so hard.


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Hero Worship: Darth Vader Still Rules

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I’ve got nothing terribly profound to discuss this week, so I wanted to take some time to showcase something that I think has been underserved in the comics community.

Earlier this week, I was pleasantly surprised by the conclusion of Star Wars: Darth Vader and the Ghost Prison, the latest mini-series from Dark Horse Comics to spotlight the beloved Sith Lord in all of his glory. There are tons of Star Wars comics on the market these days, but Ghost Prison is the first in quite some time that captures everything I adore about the franchise. I wouldn’t hesitate to say that the comic did more to push the boundaries of the series than any of the sequels/prequels, save Empire Strikes Back.

Check our reviews for Star Wars: Darth Vader and the Ghost Prison!

Darth Vader and the Ghost Prison is set months after Episode III as the Empire has taken hold of the galaxy and have begun to expand radically, training recruits at a rapid pace. The story centers around an Imperial cadet named Tohm that finds himself in the midst of rebellion and soon, fighting by Vader’s side. The story that ensues is not the typical Star Wars tale of black-and-white morality but instead a complex and tragic exploration of an average man’s loyalty to his leaders.

And though Tohm is in the spotlight, this series serves to underscore the ruthlessness of Darth Vader that we really only ever hear about in the films. By the story’s conclusion, we’re given a new appreciation for the coldness of Vader’s character that, after decades of exposure and perhaps even overuse, we have started to forget.

While I’m a fan of the prequels, they don’t do much in the way of showcasing Vader’s assistance in constructing the Empire. By the time we get to Vader in A New Hope, he’s more or less Tarkin’s lackey. And when Return of the Jedi rolls around, the series has shifted to portray Vader as a far more sympathetic character. Only in Empire do we see Vader as a true villain that transcends his cool look and becomes something terrifying. But most of his horrible past deeds are done off screen.

I’ve never really found myself reading licensed comics for anything other than continuing the adventures of some favorite characters. For the most part, they exist not to progress or expand these characters but rather to simply let them keep on living. In fact, the licensed comics that directly involve characters from the movies or TV shows (as opposed to peripheral characters or new characters set in the same universe) are essentially locked into the established continuity. In some cases where the comics are continuing a story – like the Buffy or Smallville comics – continuity is less restricting because it only needs to adhere to the past.

In the case of Star Wars, Vader’s tales need to adhere to the past and the future, which you’d think would be limiting. Instead, the Ghost Prison mini-series takes full advantage of our knowledge of where Vader’s been and where he’s going, and instead uses it to flesh out this character. Because of this story, I’ll never look at Vader’s relationships with the other Imperials in A New Hope the same ever again.

Alongside things like The Force Unleashed, I have a greater appreciation for the power of Vader’s character than ever before, most notably his power of manipulation. You know when Admiral Motti steps to Vader in that Death Star roundtable scene? The tension is retroactively even greater because I know what Vader is capable of doing to his allies to benefit his own cause.

I guess what I’m saying is, licensed comics should dare to do more with the characters, and those who license them should encourage it. Ghost Prison proves that there is plenty of room for growth and exploration within even the most confined spaces of continuity. In the meantime, I urge you to give this book a try – no matter how jaded about Star Wars you’ve become.

And if you’re jaded, stop. Star Wars still rules.

Joey is IGN's Comics Editor and a comic book creator himself. Follow Joey on Twitter, or find him on IGN. He will love Star Wars until the end of his days.


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Arrow Gets Comic Book Tie-In

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It was announced today that the new CW television show Arrow, based on Green Arrow from DC Comics, will have a comic book of its own. Revealed over at CBR, showrunners Marc Guggenheim and Andrew Kreisberg will be writing the series, which will release weekly in digital-first installments that retail for 99 cents on the DC Comics app and then be collected in print issues later.

The series will debut on October 10, the same day that the pilot airs on CW, and will be drawn by legendary Green Arrow artist Mike Grell. Subsequent chapters will be drawn by Sergio Sandoval and Jorge Jimenez. The series will start print releases on November 28 that will release for $3.99.

Back at San Diego Comic-Con, DC offered a freebie comic book tie-in to Arrow that was co-written by the showrunners and Geoff Johns. Guggenheim told CBR, "It was a little while after the free comic we co-wrote with Geoff Johns for San Diego Comic-Con [when DC approached us]. We loved the idea because (a) we love comics and (b) we sensed the opportunity to do something that struck us both as unprecedented. We come up with a lot of stories in the writers room, but only have 42 minutes each week to tell them. That leaves a lot of story and backstory left over that we like having the opportunity to tell. To our knowledge, nothing's ever been attempted on a scale like this before."

He added, "We have a real -- and exciting -- opportunity to tie in, fill in and -- and this is our favorite -- tease upcoming moments in the series. If you read the digital comics, you'll be getting stories that not only tie in with the television narrative, but also preview it."

DC recently launched Smallville: Season 11 as a digital-first comic to much success, so hopefully Arrow can be a repeat performance.

Joey is IGN's Comics Editor and a comic book creator himself. Follow Joey on Twitter, or find him on IGN. He loves superhero pets so hard.


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Major Death in Store for Thor: The Dark World?

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Marvel Comics fans learned this week of the death of a superhero in the comics. Now it appears that death is also coming to the Marvel Cinematic Universe.

We're putting a big ol' SPOILER ALERT here in case this rumor pans out.

Still here?

You're sure, right?

OK, well, don't blame us then.

Bleeding Cool reports that the All-Father himself, Odin (played by Sir Anthony Hopkins), might very well perish in Thor: The Dark World, which is now filming in England.

Obviously, this is just a rumor for now, but considering Odin was killed off in the comics then the film following suit shouldn't be that shocking.


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Scalped Artist to Draw Django Unchained Comic

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Back at San Diego Comic-Con, Quentin Tarantino crashed a DC Comics panel to announce that he'd be releasing a 6-issue comic book mini-series based on his screenplay for Django Unchained, which might include some scenes that will be left on the cutting room floor for the movie. Not much was known at the time other than "it's coming," but now DC has revealed via AICN that the artist on the project will be R.M. Guera, co-creator of the recently concluded Vertigo crime epic, Scalped.

In addition, Jim Lee will be providing a variant cover to to issue #1, which releases in December.

Joey is IGN's Comics Editor and a comic book creator himself. Follow Joey on Twitter, or find him on IGN. He loves superhero pets so hard.


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Death Comes for an Icon in Avengers vs. X-Men #11

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Warning -- this article contains full spoilers for Avengers vs. X-Men #11!

Most event comics can be broken down into a series of watershed moments. Civil War had the debut of the Superhuman Registration Act, the unmasking of Spider-Man, and the assassination of Captain America. Fear Itself had the breaking of Captain America's shield and the (apparent) deaths of Bucky Barnes and Thor.

And Avengers vs. X-Men has its own watershed moments. There was the original spark that ignited a war between the two teams. There was the pivotal moment when Hope refused the power of the Phoenix Force and it was divided among five of the X-Men. And now, as issue #11 hits the stands and the final battle between the Avengers and the X-Men begins, there's another major development that may come to define the event for many readers.

Last chance -- don't continue if you don't want to be spoiled!!!

That moment comes when Cyclops finally gives in to the corrupting influence of the Phoenix and kills his former mentor, Professor Xavier. Though the body count in AvX has been zero so far (unless you count the death of the briefly resurrected Captain Marvel), the writers changed that in a big way this week. We were able to sit down with both writer Brian Michael Bendis and Marvel Senior Editor Tom Brevoort to discuss the big death and how it will impact Marvel's post-AvX plans.

Brevoort noted that the decision to kill Xavier came fairly late in the planning process. "We didn't start out looking for someone to kill or having a hit list or anything. In fact, the discussion about killing Xavier went back and forth for a good, long while as we were dealing with the middle point. The five guys who were working on this weren't always of one accord. By the end of it, one writer was still regretful that we ended up going this way. He was just out-voted by the rest of the group." He continued, "It was such a visceral thing. Their relationship was so Shakespearean that it proved, at least in our estimation, that it was the direction the story needed to go."

Brevoort laid much of the credit/blame for the decision on Bendis himself, saying that Bendis and Jason Aaron "did a lot of the heavy lifting in terms of outlining the super-structure of AvX. Brian is sort of the main Avengers guy, and Jason was the guy most currently heavy in the X-Men world. It made sense for them to do a lot of our outline process and run those outlines by the other three writers and have them vetted."

Bendis said, "I was moving into the X-office, and I was surprised how out of the loop Xavier was. He wasn't really a part of the plans or any books going on. It just seemed to me, and maybe it's because I'm a father, but his point of view was one of the most interesting. I kept pushing for it, and they were like, 'Well, he's not in any of these books right now.' And then we started talking about why Xavier had outgrown the X-Men franchise. He wasn't really part of it. I thought that was interesting. Is he more interesting now in death than he was in life? Does the idea of him being sacrificed to all of this make the X-Men as characters that much more interesting? And if so, what kinds of stories can we get out of it? And that's when the serious talks started happening."

Bendis pointed out that the issue leaves room for interpretation as far as whether Xavier willingly allowed himself to perish in battle. "Does he do an Obi-Wan and just close his eyes, or does he fight to the death? I kind of have it up to interpretation. This didn't happen privately – this happened in front of the entire Marvel Universe. So a lot of people are going to have a lot of interpretations about what they saw and what it means. That is certainly something to consider. Even if he fought to the death, does he somehow know that, either way, he might win? Is this the final thing he could give to the X-Men – his final sacrifice?"

Towards the end of Grant Morrison's New X-Men run, Xavier chided Magneto with this speech: "The worst thing you ever did was come back, Erik. Magneto had become a legend in death, an inspiration for change. Now look at you -- just another foolish and self-important old man with outdated thoughts in his head. You have nothing this generation of mutants wants... except your face on a T-shirt."

We asked Brevoort if the same was now true for Xavier, and if he was more important to the mutant race now as a martyr rather than a living, active figure. "Especially with M-Day and with Cyclops coming to prominence as the new general of the X-Men, Xavier, by necessity was sort of forced to take a back seat and be off to the side. There can't be two chiefs... I don't know that I'd reduce Xavier to being better off dead than alive. He's a person with ideals and dreams and hopes and so forth. The power of this moment and what it means for Scott to strike him down, even in a moment of losing his cool, striking down the guy that was essentially his father. Xavier took him from being a guy who was homeless and had these uncontrollable optic blasts and gave him a life to live in and surrounded him with friends and got rid of his loneliness and gave him purpose and a cause to believe in so strongly that Cyclops took it to this point... As a moment or a capstone or the beginning of the end for the journey of Scott Summers, it was a necessary, important beat."

Throughout the latter two acts of this event, the Phoenix Five have fought a losing battle against the influence of the Phoenix Force. The question now is whether Cyclops is wholly responsible for the death of Xavier, or if he had finally been consumed by his newfound power. Though obviously neither Bendis nor Brevoort could definitively reveal whether Cyclops survives the final battle in issue #12, the question of his culpability will be addressed in short order. Bendis said, "I'm getting right into that in my new series, because a lot of people have very specific ideas about just how much he is to blame for what has happened, including himself. That's a question we're going to explore throughout the book, and writing a character in this situation is just about as interesting a challenge as I could have as a writer. This is as big a hole as you can dig for yourself. Let's say the Phoenix was completely responsible and Scott wasn't in his right mind. How do you live with that?"

For Bendis, one of the benefits to launching a new X-Men series after AvX is the opportunity to explore the ramifications of Xavier's death. He said, "I'm coming into the X-books with a lot of notoriety. In a positive or negative way, I don't know. It was weird with House of M, particularly with Wolverine's memories, to put such a giant piece of storytelling out into the world, yet not be the one who takes it to the next step." he continued, "But now, at least with Xavier -- and a lot of this is happening after AvX -- I'll be able to be one of the guys following through on the promises made in the event. And as I've discovered over the years, that's really the best part."

The X-Men franchise entered a new status quo last year in the wake of Jason Aaron's Schism mini-series. Where once the mutant community was split in its support of Xavier or Magneto, now Cyclops and Wolverine became the two opposing figureheads in the struggle for mutant survival. Another common question regarding AvX as been how the event will affect this status quo. With many of the X-Men now united with the Avengers against Cyclops and Emma Frost, is the schism healed? Bendis said, "There's definitely a sense of unity, but if you pay close attention, it's not every X-Man. Only the ones who want to team up are there. And what they witness when they show up is not what they signed up for. They didn't go there to see Xavier be murdered. And how they all react to that and what they do next will be the stuff we deal with afterward. And on top of that, even though some of them agreed to team up for this fight, they may not like how the fight went. They may not like the aftermath and depart soon afterward. So there won't be what you've called a schism or a civil war. There will be lots of characters with different points of view to push forward. And I think the audience is going to gravitate naturally to who they agree with or who's got the most interesting point of view in all of this."

Bendis also elaborated on how Xavier's death will impact the course of All-New X-men, specifically how the five original X-Men respond to the discovery. "I'm certainly excited that this element of the story is finally revealed to the public. One of the big questions since we announced what All-New X-Men is partially going to be about is 'Well, what about Xavier? How does this happen?' With the death of Xavier, people can start to put together 'Oh, that's why they're here.' This is Days of Future Past to the original X-Men. This is a nightmare. Xavier is gone and Scott killed him? This is definitely worth pursuing from the eyes of the original X-Men. Now people can see where we're coming from a little better. Here's the original five. Now imagine you're Cyclops and you're at your most idealistic in the original days of the X-Men, and you come here to find out it all goes to hell. And how do the other four feel? Can Jean possibly still love Scott when she discovers what he's capable of becoming?"

Brevoort directed readers to All-New X-Men and Uncanny Avengers as the two primary books to deal with the fallout of Xavier's death, as well as the AvX: Consequences mini-series. "Xavier's death is going to have a greater impact than just AvX #11. It's going to be a central point in all the material Brian has coming out during Marvel NOW!. It's part of All-New X-Men. It's certainly going to be a central, motivating factor in Uncanny Avengers. Xavier's funeral is going to be in Uncanny Avengers #1, so it's the big kick-off of that. You're going to see it reflected throughout the Marvel line, at least for now."

Avengers vs. X-Men #12 will wrap up the event on October 3rd, while Uncanny Avengers #1 will hit the following week. All-New X-Men #1 is currently scheduled for release on November 7th.

Jesse is a writer for IGN Comics and IGN Movies. He can't wait until he's old enough to feel ways about stuff. Follow Jesse on Twitter, or find him on IGN.


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