King calls for Rice resignation over Libya story, Kerry defends

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A top Republican called Friday for U.S. Ambassador to the U.N. Susan Rice to resign over her "misleading" statements on the Libya terror attack -- escalating a brewing battle between lawmakers and the administration over the changing narrative.

Rep. Peter King, the New York Republican who heads the House Homeland Security Committee, told National Review that he thinks Rice should resign over the controversy. He was referring to her repeated claims during interviews on the Sunday after the attack that the strike was a “spontaneous” reaction to protests in Cairo over an anti-Islam film -- though officials now acknowledge it was a coordinated terror attack.

"She is America's foreign policy spokesman to the world," King said. "The fact is she gave out information which was either intentionally or unintentionally misleading and wrong, and there should be consequences for that. And I don’t see how she didn’t know how … that information was wrong.”

He called for a “full investigation.”

King’s statement, the first call by a top-ranking lawmaker for a resignation in connection with the controversy, triggered a swift response from Sen. John Kerry, D-Mass., who leapt to Rice’s defense. Kerry, chairman of the Senate Foreign Relations Committee, said he was “deeply disturbed by efforts to find the politics instead of finding the facts in this debate.”

“Everyone who cares about the four fallen Americans in Benghazi would do well to take a deep breath about what happened and allow Secretary Clinton's proactive, independent investigation to proceed,” he said in a statement. “I’m particularly troubled by calls for Ambassador Rice’s resignation. She is a remarkable public servant for whom the liberation of the Libyan people has been a personal issue and a public mission. She's an enormously capable person who has represented us at the United Nations with strength and character.”

King’s statement, though, was a sign he perhaps wasn’t satisfied by the claim by the nation's top intelligence official Friday that administration officials who initially said the attack was spontaneous did so based on intelligence officials' guidance.

The statement by Shawn Turner, spokesman for Director of National Intelligence James Clapper, was put out late Friday -- the statement appeared to take the blame for the confusion, and also marked a complete reversal from the administration’s initial claims about the origin of the strike.

"As we learned more about the attack, we revised our initial assessment to reflect new information indicating that it was a deliberate and organized terrorist attack carried out by extremists," Turner said. "It remains unclear if any group or person exercised overall command and control of the attack, and if extremist group leaders directed their members to participate. However, we do assess that some of those involved were linked to groups affiliated with or sympathetic to Al Qaeda."

Turner, though, sought to explain that officials who discussed the attack as spontaneous did so based on intelligence community assessments.

"In the immediate aftermath, there was information that led us to assess that the attack began spontaneously following protests earlier that day at our embassy in Cairo," he said. "We provided that initial assessment to Executive Branch officials and members of Congress, who used that information to discuss the attack publicly and provide updates as they became available. Throughout our investigation we continued to emphasize that information gathered was preliminary and evolving."

However, sources have told Fox News that intelligence officials knew within 24 hours the attack that left the U.S. ambassador and three other Americans dead was terrorism, and that they suspected it was tied to Al Qaeda.

It's unclear, then, why the intelligence community told Executive Branch officials it was spontaneous. In the midst of the changing story, King and other Republicans have complained that they were misled by the administration. They pointed to briefings as well as Rice’s Sunday show comments.

Meanwhile, lawmakers on both sides of the aisle are raising questions about security at the compound in Benghazi. All members of the Senate Foreign Relations Committee wrote to the State Department on Thursday asking for additional details about security at U.S. diplomatic posts and for a fuller explanation of the attacks on U.S. compounds in Libya, Egypt and Yemen.


Source : foxnews[dot]com
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PlayStation All-Stars: No More New Characters

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Sony has revealed that no more characters will be announced for PlayStation All-Stars Battle Royale’s launch. In a post on Twitter, PlayStation Blog senior social media specialist Sid Shuman wrote that “We have revealed the full launch lineup of characters,” confirming that All-Stars will ship with 20 fighters.

Keep in mind that All-Stars could easily add additional characters via downloadable content, so this doesn’t necessarily mean the roster will stay at 20 forever. For now, though, at launch you’ll have the following options:

  1. Big Daddy
  2. Cole MacGrath
  3. Evil Cole MacGrath
  4. Colonel Radec
  5. Dante
  6. Fat Princess
  7. Heihachi Mishima
  8. Jak and Daxter
  9. Kratos
  10. Nariko
  11. Nathan Drake
  12. PaRappa the Rapper
  13. Raiden
  14. Ratchet and Clank
  15. Sackboy
  16. Sir Daniel Fortesque
  17. Sly Cooper
  18. Spike
  19. Sweet Tooth
  20. Toro

Rumors in the past have suggested additional fighters such as Metal Gear Solid’s Snake and Kat from Gravity Rush, though neither has ever been confirmed by Superbot.

PlayStation All-Stars Battle Royale will hit stores on November 20th for PlayStation 3 and Vita, and buying the console version will get you the Vita version for free. For a look at all 20 launch characters in action, check out 30 minutes of expert videos from Superbot’s Seth Killian. For even more, be sure to see our official PlayStation All-Stars Battle Royale wiki guide.

Andrew Goldfarb is IGN’s associate news editor. Keep up with pictures of the latest food he’s been eating by following him on Twitter or IGN.


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Play Kid Icarus: Uprising Online With IGN Tonight

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Tonight marks the last time that we'll be heading into the battle arena of Kid Icarus: Uprising's multiplayer and we want you to join us for a few rounds of Free-For-All and Light Vs Dark to send us off in style.

We'll be online between 18:00pm and 20:00pm (BST) this evening on September 27th so if you want to take us on at Kid Icarus on Nintendo 3DS all you need to do is head over to the Facebook event page, add our Friend Codes, post your own Codes on the event wall so we can add you back, and let battle commence!

In the meantime, if you're looking for tips head to IGN's Kid Icarus: Uprising wiki.


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'Homeland' and 'Modern Family' are the big winners at Emmys

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LOS ANGELES –  "Homeland," which puts the battle against terrorism on American soil, was honored as best drama series at Sunday's Emmys and earned trophies for stars Claire Danes and Damian Lewis. "Modern Family" was named best comedy.

"We feel so lucky, lucky not only to have jobs in these challenging times, but to have jobs that we love with people we love," said Steven Levitan, co-creator of "Modern Family."

The drama "Homeland" stopped "Mad Men" in its tracks, denying the show a record-setting fifth trophy and kept Bryan Cranston from his fourth consecutive best drama award for "Breaking Bad" and "Mad Men" star Jon Hamm an also-ran once more.

The Emmys refused to play it predictably Sunday, with Jon Cryer of "Two and a Half Men" earning a best actor award and Jimmy Kimmel proving a game but uneven host.

"I'm one of those pesky Brits, I apologize," said Lewis, who plays an American in the espionage thriller. "I don't really believe in judging art, but I thought I'd show up just in case."

Danes, eye-catching in a bright yellow dress that gracefully draped the pregnant actress, was effusive.

"My husband, my love, my life, my baby daddy, this doesn't mean anything without you," she said to her spouse, actor Hugh Dancy.

Backstage, Danes said she particularly appreciated one fan: President Barack Obama has said he's a fan of "Homeland," about a Marine and former POW who's suspected of working for al Qaeda.

"No pressure," the actress said. "It's way cool that he is a fan. It speaks to the relevancy of the show and it's hugely validating."

The acting trophies, along with a best writing award for the show, gave "Homeland" momentum as it headed toward the best drama award.

Aaron Paul won best supporting drama actor for "Breaking Bad" and "Homeland" won the best writing award.

"Thank you so much for not killing me off," Paul said of his drug-dealing character's lucky survival. "Thank you Hollywood for allowing me to be part of your group," he added, noting he'd moved from Idaho to pursue his dreams.

On the comedy side, Emmy voters decided that "Two and a Half Men" with Jon Cryer and without Charlie Sheen is really good, as Cryer claimed the best comedy actor trophy.

"Don't panic, people. Something has clearly gone terribly wrong. I'm stunned," said Cryer, who on the red carpet before the show has expressed confidence he wouldn't win. Among others, he beat out two-time winner Jim Parsons of "The Big Bang Theory."

Ashton Kutcher, who joined the show after Sheen was fired, wasn't nominated.

Julia Louis-Dreyfus was honored as best actress in comedy for "Veep."

Andy Griffith topped a segment honoring industry members who died during the previous year. Ron Howard, who played Griffith's son Opie in "The Andy Griffith Show," said he belonged "in the pantheon."

"Dang if he didn't make it look powerful easy while he was going about it," Howard said.

Phyllis Diller, Davy Jones of "The Monkees," Sheman Hemsley and Richard Dawson were among the others honored in a montage.

Earlier in the show, Kimmel dared to mock the in memorian package that typically airs at awards shows with one showing him in various guises. Josh Groban sang a mournful "You're Beautiful" in background.

"I will be missed," Kimmel said.

Maggie Smith was honored as best supporting drama actress for her tart-tongued dowager in "Downton Abbey," unhurt by the program's move from the miniseries category.

"Homeland," the domestic espionage thriller, won the best drama writing award.

"Modern Family" made it look easy as the comedy won the best directing trophy and Eric Stonestreet and Julie Bowen claimed supporting actor awards. There was at least a minor backlash online as some questioned whether the show had a deserving season.

Stonestreet was funny and touching as he accepted for his role as half of a devoted gay couple.

"I wouldn't be standing here without Jesse Tyler Ferguson, there is no Cam without Mitch," he said, saluting his co-star. "We get the awesome opportunity to play these two characters on TV and show America and the world what a loving couple we can be just like everybody else."

Then he turned saucy: "I never knew I'd be on TV as a gay man, but I love the pictures of hairy chests you guys are sending me, it's really amazing. Thank you for those."

Among reality competitors, "The Amazing Race" was honored as best reality series, ninth time in 10 nominations for the award. Tom Bergeron of "Dancing With the Stars" won as best host of a reality series.

Julianne Moore's uncanny take on Gov. Sarah Palin in the TV movie "Game Change," about the 2008 presidential campaign, earned her best actress honors.

"I feel so validated because Sarah Palin gave me a big thumbs down," Palin said, beaming.

Kevin Costner was named best actor for the history-based miniseries "Hatfields & McCoys," while Tom Berenger was named best supporting actor for the project and Jessica Lange won supporting actress honors for "American Horror Story." `'Game Change" was crownd best series.

"The Daily Show with Jon Stewart" proved unstoppable, winning its 10th consecutive best variety show trophy. Stewart, discussing the lasting value of his show, apparently forgot that what flies on free-wheeling cable gets censored on network television.

"Years from now when the Earth is just a burning husk and aliens visit, they will find a box of these, and they will know, just how predictable these (several bleeps) can be," he said.

Standup comic Louis C.K. won the Emmy for best comedy writing for "Louie" and for the special "Louis C.K. Live at the Beacon Theatre." Said the comedian after his second win: "Thank you to audiences around the country who still go to see live comedy."

Kimmel, who played it clean, set up one of the night's best filmed comedy bits by musing on what "Breaking Bad" would have been like had it aired in a G-rated, pre-cable era.

The answer: a spoof of the opening to "The Andy Griffith Show," with "Breaking Bad" stars Bryan Cranston and Aaron Paul, fully suited up to cook crystal meth, out at the lake with their fishing poles as the "Andy Griffith" whistling theme song was heard.

As a pungent punchline, they shot dead an unexpected witness: a friendly deputy billed as co-star Don Knotts.

The show started with bathroom humor: A filmed bit with Kathy Bates, Zooey Deschanel and other nominated actresses prepping in the restroom, then discovering a weeping Jimmy Kimmel lamenting a Botox reaction he said would keep him off stage as host.

"You look beautiful," he was reassured. "You look like a `Real Housewife."'

Viewers of the skit may have been puzzled by a nude Lena Dunham, the creator-star of "Girls," who's routinely brave about showing skin on the HBO comedy.

Not all his material worked. One bit that fell flat had Kimmel's parents, or so the host said, escorted out of the theater because they promised he would win an Emmy and he didn't.

"Family Guy" creator Seth MacFarlane found presenting can be tricky.

"Oh, the mic's over there," he said, after discovering he was on the wrong side of the stage. "This is what happens when you don't come to rehearsal," MacFarlane said.

Fashionistas noticed yellow was hot, the color of choice for Julianne Moore, a pregnant Danes, Julie Bowen and Hannah Simone from "New Girl."

"Best hair and makeup goes to Danes. Perfect!" tweeted Emma Roberts.

HBO came into the night with a leading 17 creative arts Emmys from a Sept. 15 ceremony honoring technical and other achievements. CBS was second with 13, followed by PBS with 11. Discovery received six awards, NBC got five and ABC and the Cartoon Network won four each. Fox received two trophies.

Emmy has to prove herself a winner with the audience. After rebounding somewhat to 13.5 million viewers in 2010 after an all-time low in 2008 of 12.3 million, last year's show drew 12.4 million viewers airing on Fox. The ceremony rotates annually among the four major networks.


Source : foxnews[dot]com
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F1 2012 Review

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Yearly sports titles tend to face an uphill battle. While the likes of EA’s FIFA and Madden could easily get by on roster changes alone, most other games really need to prove their mettle to get punters to pony up their hard earned cash again. Yet for its third outing with the Formula One license, that’s just what Codemasters have done with F1 2012, delivering numerous small-but-notable improvements over the last two years’ offerings.

Everything starts with the young drivers test in a meticulously recreated Yas Marina Stadium and racetrack in Abu Dhabi. Taking you through everything from vehicle handling, acceleration, and breaking to the more advanced elements of the sports such as KERS and DRS, a mixture of hands on time and short instructional videos prove invaluable to those either unfamiliar with the sport or new to its digital recreations. Depending on your inherent skill, the young drivers test will take about 40 minutes to 1 hour to complete but this solid foundation in gameplay mechanics will prove time well spent. Even returning F1 players should appreciate this refresher course in basic training, as there are plenty of nuanced differences to pick up on that reflect the changes the FIA has introduced to the motorsport since F1 2011 hit shelves.

It’s just one small aspect of the game’s commitment to authenticity. Obviously, a number of recognisable drivers were practically a given – Raikonnen, Button, Hamilton, et al – but appearances by real-world team members, such as Red Bull’s team principal Christian Horner and race commentary from former F1 driver Anthony Davidson, helps craft a truly immersive experience. From the training mode onward, F1 2012 does a fantastic job of placing you in the mindset of an up-and-coming driver. Emails from agents and teammates advise you of race specifics or analyse your performance afterwards, helping put your head in the game. The tension, the weight of expectation of your colleagues, almost feels palpable, all creating a determination on your part to improve.

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Improvement is something you’ll have to work hard for though, and rarely does a game make you fight so hard for a fraction of a second’s performance on a lap time. The overall difficulty could be placed somewhere between the brutal F1 2011 and the challenging F1 2010.

Improvement is something you’ll have to work hard for though, and rarely does a game make you fight so hard for a fraction of a second’s performance on a lap time. The overall difficulty could be placed somewhere between the brutal F1 2011 and the challenging F1 2010 – not easy then. With even minute deviations from the track resulting in time penalties or outright disqualification, learning to control the cars properly will be your number one priority. Given just how specific the game’s demands are though, there’s temptation to become over-reliant on Codemaster’s trademarked Flashback feature; zooming backwards to take one more pass at an awkward hairpin or avoid a collision. As such, it can become difficult to gauge any sense of genuinely improved performance.

Throughout the game, vehicle handling proves simultaneously precise and punishing. Veering onto the grass causes the green stuff to accumulate on your wheels, adding a perceptible slide and minimises traction, while deploying KERS (strip back the complexity of the rules and it’s a horsepower-boosting equivalent to a speed power-up in lesser titles) affects your braking times and accuracy as a side-effect of its eye-watering forward momentum.

Thankfully, with a range of braking assists, traction control and a racing guideline available, F1 2012 remains accessible for newcomers who want something perhaps closer to a typical racing game but still serving as an entry point to the sport. Ramp the difficulty up though, and every turn of the car, every gear change, and even aspects of pit time are your responsibility. That responsibility is even felt prior to races, with your car’s customisations – best tires, engine optimisations, fuel types – largely determining victory before you’ve even hit the tarmac. It’s more to learn and can feel frustrating if you just want to jump into a game, but the results really pay off once you know what you’re doing.

Moving into the main game content, the Proving Grounds area feels closest to an Arcade mode and is likely to be where more casual players spend a lot of their time. Champions Mode offers a selection of six challenges seeing you outwit and out-race some of the biggest names in the sport, and is immediately more accessible than the career or even the quick play modes. The difficulty curve on these is blistering though, and as you put yourself through races spotlighting Formula One’s finest, you'll find yourself having to put every speck of training you've gathered from elsewhere in the game to its utmost use. Proving Grounds is also where you will find the Time attack and Time Trial modes, the former seeing you attempting to set speed records on some of the world’s top racetracks, the latter testing your racing skills against the demands of international race teams.

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The difficulty curve on these is blistering though, and as you put yourself through races spotlighting Formula One’s finest, you'll find yourself having to put every speck of training you've gathered from elsewhere in the game to its utmost use.

While these more casual modes allow you free reign to select racing team and cars, the full Career Mode instead sees you racing up the league tables, beginning with a lower tier team before your successes earn you promotion after promotion. Impress the global press and industry observers and you’ll attract contract offers from more prestigious teams, your choices of which to accept affecting progression. It’s a lengthy outing, though the new Season Challenge mode allows a more relaxed approach, still putting you through the paces of a competitive chain of races but proving less of a time demand than your full career.

In addition to expected online multiplayer, split-screen and LAN options make welcome appearances. With no noticeable decline in frame rates or overall visual quality in split screen, the chance for some deliciously tense competition with your real-world mates is one to be relished.

Visually, the improvements in F1 2012 are harder to spot – 2011 already looked amazing. Most notable is a refined weather system, where rain can, and frequently will, sweep across a track during weekend-long events. Storm clouds are visible from a distance, and the look of the track as it gets soaked is perceptible. Best of all, this forces a gameplay change, as you’ll need to switch out tires to continue at optimum efficiency. Racetracks new and old – the main attraction being the Circuit of the Americas in Austin, Texas, hosting this year’s US Grand Prix – are authentically modelled, each delivering a unique atmosphere and, as with last year’s entry, there’s a brilliant soundtrack to accompany you.

Essentially, if you enjoyed F1 2011, there’s more than enough here to keep your attention: everything that was great last year returns, with enough tweaks and improvements to warrant a return. Newcomers will find F1 2012 a shock to the system compared to more conventional racing games, but the ample tools provided to get into the sport provide a gratifying experience with just a little bit of commitment on the player’s part.


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300 Prequel Gets Another New Title

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Warner Bros. and Legendary Pictures have once again retitled their in-production prequel to 300.

The Noam Murro-directed film was originally called Xerxes and then retitled 300: Battle of Artemisia. Now the studio has renamed it 300: Rise of an Empire.

The film stars Eva Green, Lena Headey, Sullivan Stapleton and Rodrigo Santoro. It's slated for release August 2, 2013.


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